Tuesday, September 24, 2013

Assignment #02

Here are the details of the Assignment #02 for Harmony students.

I am including this photo (below) for you to create and submit via email to: aaphotoart@gmail.com
Remember the rules:

1.- Your subject have to be in following the "Rule of Thirds"
2.- The lighting have to come from on top but has to light the face (be creative)
3.- The photo HAVE TO BE well exposed!!!
4.- Must be send over email by Friday night (aaphotoart@gmail.com)

Tips:
1.- Work with your Manual Settings: Aperture keep it as open as your camera will allow you.
2.- Set your shutter speed 1/30 or so (be careful not to make sudden moves because your photo will be blurred).
3.- Set your ISO accordingly to get a well exposed photo.

Email me if you have questions to : aaphotoart@gmail.com

GOOD LUCK!!

AL Aguayo.

Monday, September 16, 2013

Assignment #01


Dear students from Harmony education, this is the sample photo I want you to recreate as for your assignment this week.
Take a portrait like the one just here  below:

Make sure the exposure in your subject's face is well exposed.

Write your name and Include: Aperture setting, Shutter Speed and ISO in the body of the email.
In the subject write: Assignment 01
BE CREATIVE!!  I will give extra points if you are more creative.
First of all, make sure you are subscribe to this blog!!
Send your photos to: aaphotoart@gmail.com
If you want to send something additionally, feel free, but make sure you send AT LEAST what I am asking you.
This assignment is due this Friday September 20th via email. Though, if you bring it of Monday 23rd I will consider them only for review.
Enjoy.

Wednesday, August 07, 2013

2013-2014 High School Photography Class Syllabus

I have had the privilege and blessing to be hired as the teacher for the photography class in one of the schools in Riverdale, UT. 
As part of my responsibilities I had created a syllabus that meets the basic needs of learning photography for students from 12 to 18 years of age (and older).
You, as parent and/or student, will have questions in regards of assignments and other information for the class... those questions are most welcome to be addressed at any time, but most likely, they will be answered regardless during the school year.


Basic Photography Class 2013-2014

Instructor : Alvaro Aguayo (AL)
Contact : 801-603-9837
Website : http://www.aa-photography.com
Email : studios@aa-photography.com
Blog : http://aa-photography.blogspot.com/

About the Teacher
I enjoy the practice of professional photography as much as teaching photography skills to energetic, enthusiastic students of every and any age.
I finished a minor in photography in the “Saint Mark University” while I was studying Veterinary Medicine in South America in 1997. Decided to follow the career of photography and opened my company in 1998, working as a full time photographer since then until, so far, today.
I did several internships for 1 year long each, in: Portrait studio photography (1999), Wedding photography (2000) and Printing and Laboratory processes (2005).
I've done studio work as well as on-location, including, but not limited, to: family portraits, children and high school seniors, wedding photography, traveling and landscape photography, fine art, commercial portraiture and products, etc.
I enjoy spending time with my family and experiencing outdoor sports like mountain biking, road cycling, hiking, kayaking, camping, etc.


Course Description and Objectives
  • Hands-on” and practicing Photography in every lesson.
  • Students will, generally, receive basic instruction, demonstration, and see samples of the desired outcomes, at the beginning of each class. They will shoot assignments, based on what they are learning. Perhaps the most useful part of classroom instruction will be the reviews of photos students have shot during the assignments.
  • Introduction to the Business of Photography including but not limited to portraits and weddings.
  • We will talk about an “Introduction to Video work flow”.
  • This course also includes some investigation, reading, writing, and presentations.

Course Requirements and Materials
  • A digital camera per student (DSLR is preferred), with enough battery power and memory card space, placed in camera (the school does not provide cameras, so students are expected to bring one themselves).
  • A notebook and writing utensils.
  • A Flash Drive (8Gb or grater) or an SD Card (8Gb or grater) to transfer photos, assignments images, etc. for class analysis
  • Enthusiastic participation.
  • Demonstration of knowledge through quizzes and/or class presentations.
  • Respectful conduct to peers and teachers at all times during class and good behavior.

Daily Procedures and Conduct
  • Each student will use their own camera. Failing to bring camera will decrease class participation.
  • The class will be given and the principles taught.
  • Questions and concerns are always answered. A proper student/teacher etiquette of conduct is expected and enforced (like raising their hand before asking questions, referring to the teacher as “Teacher” or “Mister”, or if use with respect, I will allow students to call me “AL”).
  • Some assignments will be given to work as small groups; other assignments will be given to work individually during class. Some assignments will be demonstrated by the students in front of the class; other assignments will be presented to the teacher to be graded.
  • Near the end of the lesson I will try to resolve any question or confusion still remaining.
  • The students will remain in their seats until the teacher dismisses them and not when the bell rings.
  • No electronics other than their own digital camera, will be allowed to be used during class, like cell phones, iPods, mp3 players unless is used directly for the benefit of the entire class. Needless to say texting will be prohibited at any time unless is expressly permitted by the teacher only in case of an emergency. First warning will allow the student to put the device away without any further consequence other than losing participation points for that day. Second warning, the teacher will confiscate the device plus the lose of participation points for that day. Third warning, the student will lose participation points and the teacher will confiscate the device and will not returned it until student bring at least one of their parents, to whom it will be given back, regardless the potential importance and/or cost of the device in their personal life.

Grading
  • To be successful in this course each student must demonstrate the skills required to complete each project during class, have a passing grade on the quizzes and to have a positive attitude.
  • Additionally, each student will be able to increase grading points when present assignments, which are optional, and at the end of the school year they present a portfolio of “one-representative-photograph-per-each-assignment” for the final review and grading.
  • Grading will be using the official scale for grades (ex. 93 – 100 A, 90 – 92 A-, 87 – 89 B+, 83 – 86 B, 80 – 82 B-, 77 – 79 C+, 73 – 76 C, 70 – 72 C-, 67 – 69 D+, 63 – 66 D, 60 – 62 D-, 59 and below F Grades are NOT rounded. For example, 89.9% is B+).
  • Students will have all aid possible from the teacher:
    • During class time they can ask all their questions related to the subject being taught.
    • Right after class students can stay to resolve personal/class related questions or issues.
    • During the week students can communicate with the teacher via email, stating their concerns and questions. The teacher will answer them in the same fashion.

Assignments
    1. Appropriate Subject Matter
Photographs must be in compliance with school rules and policies. If the students are not assigned to a subject is the student responsibility to select a subject that is appropriate and double check with the teacher in case of not being certain (i.e., no drugs, paraphernalia, gang activity, violence, sexual conducts, sexually explicit or implicit conduct and dressing, etc.). Assignments will get a failing grade if the subject chosen is inappropriate, regardless the quality of presentation.
If you are unsure whether or not something is appropriate, please ask before starting the assignment. You might be surprise how much misunderstanding happens for only supposing or assuming things.
  1. Outside-the-Classroom Photo Assignments
    When students are outside the classroom on photo assignments during class time, they are expected to observe classroom and campus rules at all times. Additionally:
    - A photo pass must accompany students at all times on campus.
    - Stay on task. Students engaging in any activity other than the assigned task, including loitering, will be escorted back to the classroom (consequences will apply including loss of privileges which could cause grade to be affected).
    - Students will not enter or disturb other classes while taking photos or walking to location.
    -Students will stay in the approved shooting location. Leaving the campus during school hours is strictly prohibited and will be penalized if happens.
  1. Home Assignments
    When students are assigned to do home work, they have an entire week to complete it, by themselves, before the next weekly class. Failing to do this, the students will receive a failing grade for that particular assignment.
  2. End of Year Presentation
    Out of each assignment, the student must select one best representative photograph, which at the end of the school year, each student will present as a portfolio (a group of photos) including a written brief explanation of the chosen subject, exposure used, lighting used, rule of compositions achieved, and other important information for each individual photograph.
    It will be graded and pondered averaged with the final test.
    The portfolio, in order to have maximum scoring, can be presented in either of 2 different ways:
    a) Digital Presentation: the student must create a Power Point Presentation as elaborate as possible, showing the different photographs taken during the school year including some technical information as described above.
    or
    b) Printed Presentation: each photograph should be printed on a photo paper or art paper, in an 8x10 size or larger and presented in a nice professional folio. Each photograph should include some technical information as described above.
      Both presentations will have the same grades if are done to the best of the student's abilities and are suitable to the teacher's criteria. The portfolio will be scored for:
      - exposure (up to 15 points) - overall presentation (up to 10 points)
      - lighting (up to 10 points) - personal effort (up to 15 points)
      - subject (up to 10 points) - creativity (up to 10 points)
      - composition (up to 15 points) - complexity in the elaboration. (up to 15 points)

      Things that will decrease your score are:
      - Your home work was done by someone else.
      - Poor overall presentation.
      - Lack of personal effort.
      - Poor photography quality in exposure, lighting and composition.
      - Wrong choice of subject.
Disclaimer
  • Each student will be solely responsible to her/his equipment. The school will not be responsible to compensate, restitute or replace equipment even if the damage had happened during class time and/or on school property.
  • If the teacher is responsible for the direct damage, the teacher will replace the equipment damaged, not the school.
  • Damage to school property by students will be penalized and it will require
  • Damage to personal property by the owner-student or other students due to accidents, miss-use or neglect will not excuse the student for not begin able to give assignments in time.

Parents
Please take a moment to read, fill out and sign the attached acknowledgment and agreement form. If you have any questions concerning the syllabus please feel free to contact me by phone or email.
Thank you!
Alvaro Aguayo (AL)
801-603-9837



I, _________________________________ (Print student's name), commit to following school and classroom rules. I understand that not doing so could cause me to lose classroom privileges and thus affect my grade. I am aware that when I check out equipment I am responsible for it. I will be held financially responsible for any lost, damaged or stolen equipment.


Student Printed Name_____________________________



Student Signature________________________________



Parents, please print your name and sign acknowledging the above. In addition, by signing this form you are giving permission for your child's picture to be taken, if needed for class purposes, during any given class time, without notification, and to be use for class purposes both in class and online (the address of the class blog will be given during the first day of class).



Parent Printed Name______________________________



Parent Signature_________________________________



Phone Number__________________________________



Best time to reach you ____________________________
Thank you!


_________________________________________________________________



Photography Lessons
(still under review and possible modifications)

1.- First Lesson – Aug 19th 2013
  • Getting to know each other
  • Basic Class Rules
  • Introduction to photography
  • Questions and Answers
  • Main Interests to learn from students

2.- Key Camera Controls I – finding them and knowing how to use them. - Aug 26th 3013
  • Working in Manual Mode
  • Shutter settings
  • Aperture (Depth of Field)
  • ISO
  • Raw vs Jpeg
  • Image sharpness
  • Contrast and Saturation

3.- Key Camera Controls II – Getting familiar with them. - Sept 09th 2013
  • Review of previous lesson:
    • Working in Manual Mode
    • Shutter settings
    • Aperture (Depth of Field)
    • ISO
    • Raw vs Jpeg
    • Image sharpness
    • Contrast and Saturation

4.- Exposure Controls and Settings – Playing with camera Exposure Controls – Sept 16th 2013
  • Under exposure
  • Over exposure
  • Perfect Exposure – Main purpose and subject.
  • Using in-camera exposure meters
  • Using an off-camera exposure meter
  • First Assignment – To take 5 different subjects. Each subject will have:
    • One (-2EV) under-exposed photo (record your settings: Ap,ShSp,Iso,Lens).
    • One (+2EV) over-exposed photo (record your settings: Ap,ShSp,Iso,Lens).
    • One perfect exposed photo (record your settings: Ap,ShSp,Iso,Lens+Subject purpose).
    • To present them digitally in a flash drive (the due date) or send it via email (before due date).

5.- Principles of Composition I – To learn How to create interesting photographs. - Sept 23rd 2013

  • Review of previous lesson
  • Review Assignment from previous week.
  • Leading lines
  • Angles
  • Rule of Thirds
  • Practice Rules of Composition I


6.- Principles of Composition II – To learn How to create interesting photographs – Sept 30th 2013
  • Review of previous lesson
  • Mood photos vs Happy photos
  • Golden Triangle Rule
  • Practice all Rules of Composition I & II
  • Second Assignment – To photograph a sample of each different composition reviewed (5 different subjects) and present them digitally in a flash drive (the due date) or send it via email (before due date).

7.- Practice of Rules and Principles of Composition – Oct 7th 2013
  • Review Assignment from previous week.
  • Review of previous lesson
  • Practice


8.- Light I – To learn quality of lights and how to control it. - Oct 14th 2013
  • Review of previous lesson
  • Review different light's qualities: harsh, soft, dim, harsh, etc.
  • Time of day for photos (sunny, overcast, harsh light, too high light, too contrasty, etc.)
  • Direction of light and shadows (back light, front light, side ¾, side split, accent)
  • How light affects the photograph in portraits, landscapes.
  • Using our creativity (Gobos, Walls, Natural reflectors, etc.)


9.- Light II – How to use light in our advantage – Oct 21st 2013
  • Review of previous lesson
  • Reflectors
  • On-camera flash units
  • Off camera flash units
  • Strobes
  • Third Assignment – To create 5 portraits of 2 different subjects (10 photos total) using the 5 different light conditions: sunny, overcast/covered, back light, incandescent and candle.


10.- Review of Composition and Lighting – Oct 28th 2013
  • Putting all knowledge together and combined.
  • Review of all previous lessons


11.- Analysis of classic photographs and Questions and Answers – Nov 04th 2013

12.- Brief review on How to process a photo in Photo shop – Nov 11th 2013
  • Demonstration on projection how to work a photo.

13.- Refining Portraits – Nov 18th 2013
  • Capturing expressions
  • Moving fast
  • Eliminating distractions
  • Changing the angle and height (going to the floor).

14.- Photo walk around the school – Nov. 25th 2013
  • Photographing their peers in the school perimeter

15.- Analysis of photos taken the previous week. - Dec 02nd 2013
  • Class analysis of the photographs taken the previous week

16.- Business of Portraits – Dec 09th 2013
  • Pricing a photo session
  • Pricing prints
  • Advertising

17.- Practice your own business of Portraits – Dec 16th 2013
  • Create your business: name, pricing structure, advertising, shooting, review of samples

18.- Business of Wedding photography – Jan 06th 2014
  • Pricing structures
  • Pricing prints
  • Advertising

19.- Practice your own Wedding business – Jan 13th 2014
  • Create your business: name, pricing structure, advertising, review of samples
  • Assignment.

20.- Questions and Answers, Review of assignment and confusion-solving – Jan 27th 2014

21.- Nature photography – Feb 03rd 2014
  • Principles for a Landscape photograph
  • Composition: Capturing color, lines, isolating subjects, basic rules, etc.

22.- Wildlife photography – Feb 10th 2014
  • Principles
  • Composition.
  • Assignment.

23.- Review of photographs and analysis of assignment – Feb 24th 2014

24.- Using Reflectors, Filters and Tripods – Mar 03rd 2014

25.- Still-life photography (a review of macro) – Mar 10th 2014
  • Lighting for the close up. Mini reflectors and gobos
  • Subject and purpose matters
  • Practice in class.

26.- Create an abstract photograph – Mar 17th 2014

27.- Review of other types of digital photography – Mar 24th 2014
  • HDR (High Dynamic Range)
  • Night photography
  • Macro photography
  • Underwater photography

28.- The Art of Black & White, sepia and other monochrome photos. - Mar 31st 2014

29.- Quick review of Composition Rules – Apr 14th 2014

30.- Quick review of Lighting and Uses – Apr 21st 2014

31.- Introduction to Video and Motion pictures – Apr 28th 2015


32.- Final Questions and Answers – May 05th 2014


If you have any questions about this syllabus, please contact me at : 801-603-9837

Tuesday, March 19, 2013

Reviewing some of my old posts in my blog, I've come to realized that I had not post almost anything during winter!! That's particularly interesting since I've been "inside" most of the time during this bitter cold winter (especially during January, where the average high temperature has been about 15°F!!).
One of the high key sessions I did during winter was the wedding of Kortney and Rick! I will be posting a couple of their photograph in this blog.
Their wedding was in the brand new Brigham City Temple of the Church of Jesus Christ of Latter Day Saints. The cold weather and the snow did not stop us from having a GREAT time, especially me, who I was taking all their memorable photographs (and I was layered like an "esquimo"),  (I think they suffered a bit with the cold, though!! especially Kortney!!... SHORT SLEEVES!!!)
Anyways!, it was a great and beautiful day for all.
Enjoy the photos!









Washington DC stroll

This is my last video produced.
Be aware that I am not a story writer, but a photographer who see the detail of image more than the story told... in fact, in this video, I am not adding any story to my imagery.
Enjoy a good stroll in Washington DC downtown in a Saturday night.

Thursday, March 07, 2013

Videos

I just wanted to stop by and say "HI".
Has been a while since I have post anything in my blog... and has been quite a few things happening in my life and in my company worth of many comments and posts; things like:
 - Christmas !! (that's a big one)
 - I went to Galveston, Texas for a paid job.
 - I released 2 nice Videos, as personal projects, which can be seen from my web site:
        a) http://aa-photography.com/filmmakingWork-08WestLakes.html
        b) http://aa-photography.com/filmmakingWork-10MountainSpirits.html
 - I've been hired more for my commercial videos than my photography... and these are just a few samples of the work I've done in the last 3 months:
        a) http://aa-photography.com/filmmakingWork-09RCS.html
        b) http://aa-photography.com/filmmakingWork-12Kadince.html
- Last week I went to Washington DC to create some photographs and a small video out of the visitor center in the LDS Temple. Here is the video I've created:
        a) http://aa-photography.com/filmmakingWork-13VisitorCenter.html
- Among my pile of work I've done some high school senior portrait sessions, engagements and bridals, as well as some personal projects like the Bald Eagle shoot out, which could be seen at:
        a) https://www.facebook.com/media/set/?set=a.10151280794642694.456098.168356637693&type=3

If you have comments, please feel free to write them below.
I'll continue posting photography tips for those of you who want to learn the tricks and trades of the craft.

Keep on shooting photos!!

AL Aguayo.

Monday, November 26, 2012

PHOTOGRAPHY TIP #4 - Polarize Filtering


Sunglasses PolarizerIf you really want to add some punch to your images, then get your hands on a polarizing filter. A polarizer is the one filter every photographer should have handy for landscapes and general outdoor shooting. By reducing glare and unwanted reflections, polarized shots have richer, more saturated colors, especially in the sky.What's that you say? Your digital camera can't accommodate filters. Don't despair. I've been using this trick for years with my point-and-shoot cameras. If you have a pair of quality sunglasses, then simply take them off and use them as your polarizing filter. Place the glasses as close to the camera lens as possible, then check their position in the LCD viewfinder to make sure you don't have the rims in the shot.
If your camera doesn't accept filters, then you can still achieve the effects of a polarizer by placing your sunglasses over the lens. Figure 2a is shot normally without any filtration. Figure 2b is shot during the same session, but with sunglasses placed over the lens. Notice the enhanced colors and deeper sky tones. (Canon PowerShot S200, Program mode)
Without a filter.
Figure 1a.
With a filter.
Figure 1b.

For the best effect, position yourself so the sun is over either your right or left shoulder. The polarizing effect is strongest when the light source is at a 90-degree angle from the subject.



Tuesday, November 20, 2012

PHOTOGRAPHY TIP #3 - Composition

Composition, the act of composing the image in the viewfinder, is a visual process of organizing the elements and individual details of a scene into a balanced and pleasing arrangement. Because what one person finds pleasing, someone else will not, composition is largely a matter of personal taste.
In this section, we take that into account. There is no right or wrong composition in photography; just Efective or not!. A composition that conveys a photographer's intended meaning is an effective one. A composition that doesn't or that confuses the viewer is not.
A photograph that communicates its message - that says what you want it to say, says it clearly, and that interests its viewer - is an effecive composition.
How you arrange a scene's elements in your camera's viewfinder will not only determine the effectiveness of your picture's graphic design, but will also contribute to how well its message is conveyed. There is more to good composition, though, than the placement of elements. Lighting,shutter speeddepth of field and other considerations contribute to a picture's mood and clarity of what the picture is saying, and therefore the effectiveness of its composition.

TREAT THE RULES OF COMPOSITION AS GUIDELINES
Some of the so-called "rules" of composition presented here should be considered as guidelines. They are based on recreating similarities in the make-up of many different images that many people have found to be esthetically-pleasing. We do not intend that a rule of composition or a design concept be taken as a hard and fast rule that must be observed. Besides, some renowned photographs break all the rules of composition and are still excellent pictures. This doesn't mean that the rules are without value. They are tremendously valuable. They are time-proven, and provide great guidelines for photographers at any level. We use them all the time.

ORIGIN OF THE RULES OF COMPOSITION
Years ago, artists who had been born with an innate sense of design created works that were perceived, by other skilled artists, as having good composition. Not only that, but their works were very popular with the general public and art afficionados. Analysis of such works showed patterns and trends in the organization and inter-relationships of lines, shapes, forms and colors that were recognized as contributing to the effectiveness of the works. It was found that others could employ these patterns as techniques in improving their own works. When they were defined, they became known as the rules of composition.

FOLLOW THE RULES UNTIL YOU KNOW WHEN TO BREAK THEM
We hope in this section to help everyone to compose better pictures, but especially the person who has no idea of composition - the photographer for whom taking a picture means just picking up a camera to point it and shoot it with little thought for the arrangement of the elements in a scene. Such a person would rarely be pleased with the results of his or her normal photography, and could benefit enormously from an understanding of the elements of composition.
Anyone who has an interest in improving their pictures would do well to go through this section and use the tips and hints it contains in their photography to see if their pictures improve.
By religiously observing the principles of composition, they will become firmly cemented in your mind. Employing them will become second nature to you. If you don’t find there is an improvement in your pictures and people aren’t commenting on how great they look, we will be greatly surprised.
Once you have the rules of composition down pat, experiment and break a rule here or there when you feel the image will work better without it. That’s called individual style, and the creativity that stems from it produces some great images. The point is that you will know when to break a rule of composition once you know what the rules are and how they work.

Friday, November 09, 2012

PHOTOGRAPHY TIP # 2

The intent of this "column" was to write tips of photography, to those who enjoy this beautiful craft, "every day"... But after trying to find the right time to do it I started to get really frustrated because I never find the time; then I've come to the conclusion to relax a bit and write as soon as I can sit down, focus and write. So, from here on (as has been from the beginning), I will write this column as soon as my availability allows me.

For many, these TIPS are already known an even used, but for even greater audience, these tips are not known, not used or not relevant at all (That's why I see so many BAD photographs around... especially in the internet).

I agree that these (and all) the tips, rules and gadgets in photography (an in many instances in life) are NOT ALWAYS used or even needed; so I rely in your common sense to determine when do you want to use these tips and when you don't want to use them.

The TIP for today is : USE A TRIPOD!


As I mentioned before, The rules and tips in photography are not always used, but it is important for us to know them all (or as many as is possible for us to know).
I don't think I need to explain the benefits of using a Tripod, but for those that are entering into photography for the first time, let me tell you that it is important to stabilize the camera in order to get sharper images. This is a principle well known for many (almost ALL) who likes photography, but not applied as often as it should be.
There are 3 main reasons why Do you want to use a tripod for your photographs (perhaps, there are more situations that require the use of a tripod, but for the purpose being here today I'll explain these three reasons):
1.- Low light.
2.- Taking long exposure photographs.
3.- Using long lenses.
Other reasons that require the use of a tripod could be, but not limited to, the following:
4.- Macro photography
5.- Products and commercial photography
6.- Architectural photography
7.- Studio, etc. etc.

Let me explain the first three reasons, so you can start being more familiar with these:

1.- LOW LIGHT SITUATIONS: The digital camera sensors, as did the film in time of the past for many, have a limit of sensibility; in other words, they can sense the light up to a point, after which they will capture only darkness.
Most of the time, when you want to take a photograph in dark areas, like you in a restaurant with your family, or playing outside in a summer night, you use the flash from your camera, right? Well, there are situations that the flash light from your camera will not reach the area you want to photograph, or simply it is not the look you want to achieve, like this photo below I took when I was in the Sourthen region of Utah, close to the border of Arizona.



2.- LONG EXPOSURES: This situation is awfully similar to the one mentioned previously... as a matter of fact, all the people who likes night photography, knows that the most important element in their camera bag is their tripod!
This type of photography is LOW LIGHT SITUATIONS in STEROIDS!!  This is for extreme low light situations, where the exposure surpass the 1 second limit... I am talking 20 seconds, 2 or 3 minutes, or even 3 or 4 hours!!

This is a 30 seconds photograph... obviously using my tripod. That's why is so sharp.



This photograph took about 5 seconds and it gives the effect of a curtain in the water fall. Not necessarily in low light situations, but when something is moving fast and you want to give the effect of even "faster" or a "dreamy" look, like this water fall.



3.- USING LONG LENSES: This is the least viewed by people who are not professionals in the matter, just because they don't usually own of these expensive lenses! But, most of the time, when we do wildlife photography and use one of these lenses, ranging normally between 300 mm and 500 mm (going to the extremes to 800 mm or even 1000 mm), they are REALLY heavy, and if we would hand hold them every shake will be magnified, and the result will be: a blurred photo!.
Beside these lenses being heavy to carry, they are mainly used in low light situations like early mornings (dawn) or during sunset (dusk), That is when wildlife is the most active.

Here is a sample photo, taking a close up of this mountain goat, using a REALLY long lens on top of my tripod.



REMEMBER!! : There are SO MANY situations where you will be tempted in not using (or taking) your tripod. You will be able to get away without the use of a tripod many times, BUT you are risking the integrity and perfectness of the photograph you want to take!
It's up to the situation you are in and How important is that photograph to you?  If it's REALLY important and your light is low, THEN you Must use your tripod.
The professionals use a tripod... FOR A REASON!!
Learn to use it TOO !!!

Feel free to contact me or ask me questions about the TIP of the day or any other topic related to photography. I'll be happy to answer it and help you as much as I can.

Keep taking photographs!!!
AL Aguayo.

Thursday, October 25, 2012

Modeling

One of the greatest accomplishment in my life is and always will be to use my professional expertise and talent (if I have any) for my own family!
This is the case in one of my latest photo sessions, when my own daughters modeled for me and my cameras, wearing my mother's crochet creations for her online Catalog and Portfolio, which, by the way, my sister, Danella, is creating after taking the time to study professional web site creation; she being helped somehow by my oldest brother, Oscar, who is a master web developer and online software engineer.
These are the photographs I took the other day.














Comments as much as you would like! :)